Toutes peintures ā l'huile d'Frederick Arthur Bridgman


ID Image Painting(From A to Z)    Details 
61959  
Frederick Arthur Bridgman, A Challenging Moment.
 
 A Challenging Moment.   Oil on canvas. 19 x 25 in. (48.25 x 63.5 cm). Private Collection.
96060  
Frederick Arthur Bridgman, An evening gathering at a North-African encampment
 
 An evening gathering at a North-African encampment   1923(1923) Medium oil on canvas Dimensions 93 x 130 cm (36.6 x 51.2 in) cjr
70534  
Frederick Arthur Bridgman, An Interesting Game
 
 An Interesting Game   Medium Oil on canvas Dimensions Expression error: Missing operand for *94.4 ?? 146.6 cm
25234  
Frederick Arthur Bridgman, Femme faisant boire des chevaux (mk32)
 
 Femme faisant boire des chevaux (mk32)   huile sur toile signee et datee 1921 62 x 90 cm Galerie Berko Knokke-le-zoute et Paris
25187  
Frederick Arthur Bridgman, Fete du Prophete au cimetiere de Blidah (mk32)
 
 Fete du Prophete au cimetiere de Blidah (mk32)   huile sur toile signee et datee 1900 65 x 54 cm Coll part
83490  
Frederick Arthur Bridgman, Funeral of a Mummy
 
 Funeral of a Mummy   ca. 1877(1877) Medium Oil on canvas cyf
79197  
Frederick Arthur Bridgman, In a Village El Biar Algeria
 
 In a Village El Biar Algeria   Date 1889 cyf
79951  
Frederick Arthur Bridgman, In a Village El Biar Algeria
 
 In a Village El Biar Algeria   Date 1889 cyf
61847  
Frederick Arthur Bridgman, Interior of a Biskra Cafe, Algiers.
 
 Interior of a Biskra Cafe, Algiers.   1884. Oil on canvas. 27 x 44 in. (68.5 x 111.7 cm ). Courtesy Vance Jordan Fine Art Inc.., NY.
25209  
Frederick Arthur Bridgman, Interior of an Algerian House,Biskra (mk32)
 
 Interior of an Algerian House,Biskra (mk32)   (Interieur d'une maison algerienne a Biskra) huile sur toile,signee et datee 1881 72.5 x 104 cm Anc Mathaf Gallery Londres
79500  
Frederick Arthur Bridgman, Pharaoh's army engulfed by the Red Sea
 
 Pharaoh's army engulfed by the Red Sea   Pharaoh's army engulfed by the Red Sea, oil on canvas, by Frederick Arthur Bridgman Date 1900(1900) cjr
79591  
Frederick Arthur Bridgman, Pharaoh's army engulfed by the Red Sea
 
 Pharaoh's army engulfed by the Red Sea   Pharaoh's army engulfed by the Red Sea, oil on canvas, by Frederick Arthur Bridgman Date 1900(1900) cjr
82406  
Frederick Arthur Bridgman, Pharaohs army engulfed
 
 Pharaohs army engulfed   oil on canvas, by Frederick Arthur Bridgman Date 1900(1900) cyf
61976  
Frederick Arthur Bridgman, Portrait of a Kabylie Woman, Algeria
 
 Portrait of a Kabylie Woman, Algeria   1875. Oil on canvas. 28.5 x 23 in. (72.4 x 58.4 cm). Courtesy Vance Jordan Fine Arts Inc., NY.
73688  
Frederick Arthur Bridgman, Procession in Honor of Isis
 
 Procession in Honor of Isis   Title "Procession in Honor of Isis", a depiction of the Navigium Isidis festival. 1902(1902)
74384  
Frederick Arthur Bridgman, Procession in Honor of Isis
 
 Procession in Honor of Isis   English: Title "Procession in Honor of Isis", a depiction of the Navigium Isidis festival. Date 1902 cyf
74823  
Frederick Arthur Bridgman, River Landscape with Deer
 
 River Landscape with Deer   Oil on canvas 59.69 x 80.65 cm cjr
76282  
Frederick Arthur Bridgman, River Landscape with Deer
 
 River Landscape with Deer   Medium Oil on canvas Dimensions 59.69 x 80.65 cm cyf
61974  
Frederick Arthur Bridgman, The Day of the Prophet at Oued el Kebir
 
 The Day of the Prophet at Oued el Kebir   Oil on canvas. 59,4 x 78.5 in. (150 x 200 cm). © Christie's Images, Ltd.
61979  
Frederick Arthur Bridgman, The Rendez vous.
 
 The Rendez vous.   Oil on canvas. 14.75 x 18.75 in. (37.4 x 47.6 cm). Private collection.
61996  
Frederick Arthur Bridgman, The Siesta
 
 The Siesta   Oil on canvas. 11.25 x 17 in. (28.5 x 43 cm). Courtesy Spanierman Gallery, NY.
72794  
Frederick Arthur Bridgman, The Siesta
 
 The Siesta   19th or early 20th century Oil on canvas 28.5 x 43 cm cjr
61971  
Frederick Arthur Bridgman, Women in Biskra Weaving a Burnoose
 
 Women in Biskra Weaving a Burnoose   1880. oil on canvas laid on masonite. 41 x 52 in. (104.1 x 132 cm). Courtesy Vance Jordan Fine Art Inc., NY.

Frederick Arthur Bridgman
American Painter, 1847-1928 was an American artist, born in Tuskegee, Alabama. An American Southerner, born in Tuskeegee, Alabama, the son of a physician, Bridgman would become one of the United States' most well-known and well-regarded painters and become known as one of the world's most talented "Orientalist" painters. He began as a draughtsman in New York City, for the American Bank Note Company in 1864-1865, and studied art in the same years at the Brooklyn Art Association and at the National Academy of Design; but he went to Paris in 1866 and became a pupil of Jean-Leon Gerôme. Paris then became his headquarters. A trip to Egypt in 1873-1874 resulted in pictures of the East that attracted immediate attention, and his large and important composition, The Funeral Procession of a Mummy on the Nile, in the Paris Salon (1877), bought by James Gordon Bennett, brought him the Cross of the Legion of Honor. Other paintings by him were An American Circus in Normandy, Procession of the Bull Apis (now in the Corcoran Gallery of Art, Washington, D.C.), and a Rumanian Lady (in the Temple collection, Philadelphia, Pennsylvania). In 1867, Bridgman entered the studio of the noted academic painter Jean-Leon Gerôme (1824-1904), where he was deeply influenced by Gerôme's precise draftsmanship, smooth finishes, and concern for Middle-Eastern themes. (Bridgman would even become known as "the American Gerôme.") No mere imitator, however, Bridgman would later adopt a more naturalistic aesthetic, emphasizing bright colors and painterly brushwork. Bridgman made his first trip to North Africa between 1872 and 1874, dividing his time between Algeria and Egypt. There he executed approximately three hundred sketches, which became the source material for several later oil paintings. Additional visits to the region throughout the 1870s and 1880s allowed him to amass a collection of costumes, architectural pieces, and objets d'art, which often appear in his paintings. (Amusingly, John Singer Sargent noted that Bridgman's overstuffed studio, along with the Eiffel Tower, were Paris's must-see attractions.) Though Bridgman maintained a lifelong connection to France, his popularity in America never waned. Indeed, in 1890, the artist had a one-man show of over 400 pictures in New York's 5th Avenue galleries. When the show moved to Chicago's Art Institute, it contained only 300 works - testimony to the high number of sales Bridgman had made.



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